Gwenn A. Nusbaum Scholarship
Gwenn A. Nusbaum Scholarship
2025 Scholarship
Walt Whitman Birthplace Association (WWBA) is happy to announce the Gwenn A. Nusbaum Scholarship will be accepting submissions starting January 6, 2025 through March 31, 2025 for the 2025 cycle. The $1800 scholarship is offered in the spirit of Walt Whitman’s massive contribution to the field of poetic writing and encouragement of “Poets to Come.” One Honorable Mention will be selected and awarded $150 along with a bio in recognition of their achievement.
Applications are sought from those poets at the early stages of their careers, ages 25-35 years. This scholarship, awarded every year, aims to encourage and assist an emerging poet in their creative poetry writing endeavors. Their emerging poetry career should be of exceptional artistic quality and should demonstrate a passion for poetry, an awareness of the power of the poem, an originality of perspective and skillful use of expressive language. They will be expected to produce additional strong work during the scholarship timeline of one year, July 1, 2025 – July 1, 2026.
Alicia Mountain will be our 2025 Guest Judge and Declan Ryan our 2025 Guest Reader.
The Scholarship is administered by WWBA. The winner is selected by an independent and diverse panel of two (2) judges who may include, but are not limited to, poets, professors, scholars, writers and WWBA representatives. Past Judges included Victoria Chang, Kwame Dawes, Cornelius Eady, Juan Filipe Herrera, Jane Hirshfield, Dean Kostos, Molly Peacock, and WWBA representative Trustee Robert Savino.
Submissions are now closed.
Recipients

Nina C. Peláez (www.ninapelaez.com) is a poet, essayist, educator & cultural producer interested in themes of displacement, diaspora, ecology, and resilience. A Best New Poets nominee, her writing appears in journals such as Narrative, Prairie Schooner, Electric Literature, Pleiades, Rattle, RHINO, Swamp Pink, & Willow Springs and has been supported The Walt Whitman Birthplace Association, The Barbara Deming Memorial Fund, Tin House, Yaddo, AWP, Tupelo Press, and the Key West Literary Seminars. She is a mentor for The Adroit Journal and works as Associate Director of The Merwin Conservancy.
Samuel Burt is a poet and artist from Grinnell, Iowa. A 2022 winner of the AWP’s Intro Journals Project, Samuel’s poems have been featured in Salt Hill, Colorado Review, The Journal, Arc Poetry Magazine, and many more print and digital journals. He holds a poetry MFA from Bowling Green State University, reads for Fahmidan Journal, and works at the Grinnell College Libraries.
Nguyen is the author of Dear Diaspora (University of Nebraska Press 2021), which won the Prairie Schooner Book Prize, an Outstanding Achievement Award from the Association of Asian American Studies, a New Mexico-Arizona Book Award, and was a finalist for the Julie Suk Award. Her poems have been nominated for Best of the Net and a Pushcart Prize and have appeared or are forthcoming in The Academy of American Poets’ Poem-A-Day series, The American Poetry Review, Poetry Northwest, The Rumpus, Tin House, and elsewhere. The recipient of fellowships from the AZ Commission on the Arts, the Barbara Deming Memorial Fund, the Virginia G. Piper Center for Creative Writing, and the 2022 Stanley Kunitz Memorial Prize from the American Poetry Review, she currently serves as the Senior Editor of Hayden’s Ferry Review.
Susan was selected by the 2023 Panel of Judges: Victoria Chang, Juan Felipe Herrera, Jane Hirshfield, Trustee Robert Savino and Executive Director Cynthia Shor.
During the scholarship year, Hua plans to publish a first chapbook of poetry and finish a first poetry book manuscript. Hua is interested in the mind and its internal languages, and writes about ways “we internally process the pain of the world. The interior world can be as vast as the actual one, a place where things happen both forwards and backwards, simultaneously and years apart, where everything is true but nothing is real.” Hua began major poetry publication in 2018 and has received writing awards from Yale Writing Center Essay Contest and Boston Review Poetry Contest, among other awards, with essays published in the Harvard Review and the Wall Street Journal. Hua is a first-generation immigrant and has served as a family caretaker. Hua received a BA in Media Studies from Yale University, and is currently teaching art at the Parsons School of Design at The New School.
Scholarship Advisory Board

Gwenn A. Nusbaum, Scholarship Founder
Struck by Walt Whitman’s enduring significance today, Nusbaum states, “I believe that if Whitman weighed in on AI’s capacity to write poetry, he might scoff at the notion that such technology can ever eclipse that which exists within the depths of oneself, derived from attachment-based (right brain) experience, from witnessing, from intergenerational influence, from stream of consciousness (at which Whitman excelled), from the complexities of ‘containing multitudes,’ from falling apart and healing, from that which is embodied—sensorily rich as the scent of newly mowed ‘leaves of grass.’ At its richest level, the universality of poetry has the capacity to transcend borders as well as transform us. Then we must change our lives (think Rilke), if not the lives of others!”
Nusbaum’s love of poetry evolved early in life. She earned a B.A. in Psychology—with nearly equal credits in English—from Hofstra University, then cultivated the craft of writing poetry through an ongoing process of attending workshops, readings, and writing poems. Of decisive value to her evolution as an artist, was her long-term mentoring relationship with the late poet and memoirist, Colette Inez. Nusbaum’s poems have appeared in print and on-line poetry journals for which she received a Pushcart Nomination and Honorary Mention. She received a Gradiva Nomination for a poem published in a psychoanalytic journal. Nusbaum’s poetry chapbook, “Normal War,” is displayed at The Poet’s House in Manhattan.
Nusbaum holds a Master of Social Work from New York University, along with postgraduate certifications in several areas of psychotherapeutic interventions. Her specialty work with women having histories of childhood sexual traumas is published in field journals. In 1990, when women were becoming more disclosive about childhood sexual abuse, Nusbaum formed supportive psychotherapy groups for these individuals. She then developed training forums on this subject and presented her papers internationally. Retired from her forty-year psychoanalytic and teaching practice, Gwenn continues to work with clients through her coaching, consulting, and mentoring service.
Established in 2021, Nusbaum founded the Gwenn A. Nusbaum/WWBA Scholarship. She is grateful for ongoing collaboration and support from WWBA. Nusbaum extends special thanks to Executive Director Caitlyn Shea, former Executive Director and Honorary Trustee Cynthia Shor, Trustee donors Jack Coulehan, M.D. and Honorary Trustee Jeffrey Gould, as well as the administrative staff. She especially acknowledges Trustee Robert Savino who has been an integral and insightful presence on the Scholarship Advisory Committee from the outset. Nusbaum is deeply honored to read poetry from so many committed and promising writers. She encourages “poets to come” to write with faith, practice, and integrity!
Robert Savino (born April 24, 1948, Jamaica, NY) is a native Long Island poet, Suffolk County Poet Laureate 2015–2017, Board Member at the Walt Whitman Birthplace and at the Long Island Poetry & Literature Repository Center. He is the winner of the 2008 Oberon Poetry Prize, Association of Italian American Educators – Cristoforo Colombo Award for Literary Leadership (2019), and Town of Islip Italian American Heritage Award for Visual & Performing Arts – in Literature (2019). Robert was first inspired by Blake and Whitman in the sixties when everything became not as ordinary as it appeared and he began a life sentence in a metaphoric mind.
His poetry has been widely published in journals, anthologies, and online, including The Haight Ashbury Literary Journal, Long Island Quarterly, Mobius, Negative Capability, The North American Review and Sport Literate; and his poems have been written for art and music. One of the poems, “October’s Opal,” was composed by Yung Shen Hsaio as a four-instrument musical ensemble piece and presented at the 2017 International Rostrum of Composers and Conservatorio Vincenzo Bellini, Palermo, Italy.
Robert is co-editor of two bilingual collections of Italian Americans Poets, No Distance Between Us – Italian American Poets of Long Island and No Distance Between Us – The Next Collection – Italian American Poets of New York State. His books include Fireballs of an Illuminated Scarecrow, Inside a Turtle Shell and I’m Not the Only One Here. No Distance Between Us (Nessuna Distanza Tra Noi) is scheduled to become a trilogy of Italian American poetry in a cultural tribute to Dante Aligheri. Inside a Turtle Shell, a diverse journey of paths crossed, lost and found, was selected as the second collection in the three-volume Turtle Island Series (Allbook Books).
Robert lives in West Islip, NY, with his wife and enjoys the role of poetry mentor.
Ms. Cynthia Shor is an Honorary WWBA Trustee and served as Executive Director of the Walt Whitman Birthplace Association (WWBA) from 2007 – 2024. Leading up to this position, Ms. Shor was a WWBA Board Member for three years, and served for over a decade in the roles of program committee member, poetry teacher for school programs, and head judge for the annual student poetry writing contest.
She received her BA from NYU and MA in Literature from American University, and achieved PhD Candidacy at the NYU Steinhardt School of Education. During her first doctoral year at NYU in 1995, she was selected as a Teaching Fellow and studied at Oxford University, England. She returned to teach graduate and undergraduate poetry and literature courses in the Steinhardt School from 1995-2006 wherein she received the Teaching Excellence Award. She is a member of Kappa Delta Pi, the educational honor society. She also taught memoir, poetry writing and literature courses in the Great Neck Adult Education Program, and her course, “The Interpretation of Literature” was selected for the David Rauch Memorial Seminar Award. She has done volunteer literacy tutoring, and as a writing coach she has facilitated the writing process and publication of articles, memoirs, and books for her clients. Ms. Shor is an active Alumna of NYU and serves on the College of Arts & Science Alumni Board as Associate Director and past Vice-President.
A published poet, Ms. Shor was a Poet in Residence with New York City’s Teachers & Writers Collaborative, and taught poetry writing in over 40 elementary and high schools throughout NYC and Long Island regions. Her classes inspired a multitude of student poetry anthologies.
From 1996-2024, Shor managed and directed the annual WWBA Student Poetry Writing Contest developing it from a local Long Island contest to include an international audience. She is the Editor of “Legacy,” the 2024 inaugural anthology of award-winning student poets.
In 2018, Shor supervised the $160,000 Exhibit Renovation for the Visitors Center, managed by former Trustee President William T. Walter, PhD, and together they secured the capital funding from The Gardiner Foundation and Parks & Trails NY. In 2019, Shor managed the year-long programs for Whitman’s Bicentennial Birthday Celebration at the Birthplace celebrating Walt’s 200th year (1819-1892). A main event was The Inaugural Whitman International Conference which brought participants from 6 countries and 10 American states to Whitman’s Birthplace to explore Whitman’s continuing impact on literary and social issues.
Ms. Shor secured two major Whitman book collections enlarging the Association archives to hold the second largest Whitman collection next to the Library of Congress. She was responsible for the 2014 designation of the Whitman Birthplace as a “Literary Landmark” by United for Libraries Literary Landmarks Register. That same year, Shor secured from a fifth-generation Whitman descendant the donation of one (of two) historic and priceless Whitman Family Bibles which also preserved a lock of Whitman’s mother’s hair. In 2022, Shor arranged for a sixth-generation Whitman nephew to join the Association Board.
Shor has two adult children and five grandchildren. She married David Church in 2018, and retired from her role as Executive Director in 2024. They reside in their home in Greenville, SC, and maintain an apartment in Des Moines, Iowa, where Shor was born and where her extended family still resides. Her favorite Whitman poem is A Child Went Forth which describes Walt as child emerging from his Birthplace farmhouse and becoming imprinted with the wonders of his environment. Like Whitman, she became imprinted with the Birthplace wonders, also.
2025 Guest Panel

Alicia Mountain is the author of Four in Hand (BOA 2023). Her debut collection, High Ground Coward (Iowa 2018), won the Iowa Poetry Prize. Her work has appeared in Poetry Northwest, Ploughshares, American Poetry Review, The Nation, and elsewhere. Mountain received her PhD at the University of Denver. She serves on the board of Foglifter, a LGBTQIA+ journal based in the Bay Area. Mountain lives in New York City, where she is an Assistant Teaching Professor in the Writer’s Foundry MFA program at St. Joseph’s University in Brooklyn and a psychoanalytic candidate at the National Institute for the Psychotherapies.
Declan Ryan was born in Mayo, Ireland and lives in London. His debut collection, Crisis Actor, was published by Faber & Faber in the UK and Farrar, Straus and Giroux in the US. His essays and reviews have appeared in many journals, including The New York Review of Books, The Paris Review, The Guardian, The Observer, The Times Literary Supplement, The Baffler, Los Angeles Review of Books, and Poetry.
Guidelines

Click any tab below to learn more about the scholarship guidelines.
Submissions are closed.
Must be a US Resident of 25-35 years of age.
Demonstrate a scholastic or pre-professional track of outstanding poetic writing; all poetic forms, styles, types, themes and topics are acceptable.
Submissions are closed.
Applicant MUST include the following
- CV or Resume
- Ten (10) Poems
- Cover Letter
Please provide a cover letter with your name, address, email, phone, and a CV or Resume (no more than three pages). CV should contain your education history, publication history, awards, performances and readings, and, if applicable, any past poetry projects. Cover letter should include a statement of intent for professional writing goals. Cover letter should indicate expenditure plans for the scholarship funds. Please include contact information for one reference who will be emailed if the applicant moves to the finalist stage.
Honorarium of $1800 must be used within one (1) year of endowment (July 1, 2025 – July 1, 2026).
Funding to be used for supportive activities to further the writing career: for example, writing courses and workshops; writing conferences; writing retreats, or other approved activities.
WWBA Award Committee shall be supportive of the Honoree and will offer approval for intended use(s) of honorarium.
Honoree shall maintain contact with WWBA Award Committee.
Honoree shall demonstrate significant progress as described in a final report to the WWBA Award Committee. This may be a summary and/or short video of experiences toward growth, productivity and achievement of goals.
Honoree receives a onetime scholarship of $1800.
Honorable Mention receives a onetime award of $150.
WWBA offers Association support which may include use of the WWBA Archive & Library, consultations with Archive Curator, letters of introduction, and promotional articles and activities.
Honoree will be featured on WWBA website.
Honoree is invited to conclude their award year with a poetry reading at the Whitman Birthplace in person or via Zoom at the Award Ceremony in June 2025.
Good luck to all Applicants
Address questions to: Caitlyn Shea, WWBA Executive Director: director@waltwhitman.org.

POETS TO COME
POETS to come! orators, singers, musicians to come!
Not to-day is to justify me and answer what I am for,
But you, a new brood, native, athletic, continental, greater than before known,
Arouse! for you must justify me.
I myself but write one or two indicative words for the future,
I but advance a moment only to wheel and hurry back in the darkness.
I am a man who, sauntering along without fully stopping, turns a casual look upon you and then averts his face,
Leaving it to you to prove and define it,
Expecting the main things from you.